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Automation has elevated flexographic printing to be more efficient, and a process that can attract the next-generation workforce.
April 4, 2024
By: Greg Hrinya
Editor
Digital printing has been all the rage in the label and package printing industry of late, but flexographic label printing is still very much the future. In fact, the two technologies can work side by side in accomplishing a wide range of brand owner demands – from a short-run craft beer label to several million labels for a global mass market beer brand. While digital printing makes more sense for some jobs, flexo is still the preferred method for long runs. And converters can optimize their print shops by designating a certain label order for the correct press, ensuring the facility is operating at maximum efficiency. The digital printing market still only accounts for a small percentage of labels, even with adoption on the rise. For many large label converters, which are technology agnostic, the size and nature of the order will dictate the chosen technology – and, in many cases, it will still be flexo. “Today’s label market continues to drive to more SKUs, shorter run lengths, increased customization and complex applications, and an increasing range of substrates,” says Dan Maurer, VP of digital product management, Heidelberg USA. “The latest conventional presses, like the Gallus Labelmaster, have been designed from the ground up with these requirements in mind. The latest conventional presses are built around a modular platform that can be configured to the changing needs of the label manufacturer.” Equipment manufacturers have responded in kind. This is not your father’s flexographic printing technology. Suppliers have engineered the modern flexo press to meet the requirements of the future press operator – complete with automation, clean-hand technology, faster speeds, and a reliance on data, among other factors. Technology has advanced to a place where flexo, once thought of as an art, has become much more of a science. “Gone are the days of relying on mechanical finesse and a good eye for color to produce the perfect label time and again,” states Jesper Jørgensen, global sales manager, Nilpeter. “Now we are talking state-of-the-art software rather than mechanically controlled presses.” “It is important to note that the younger generation entering the workforce is used to looking at touchscreens and automation rather than getting their ‘hands dirty’ on manual adjustments,” adds Richard Miedema, global sales director, MPS Systems. The flexo process has undergone more of a revolution than evolution. Mainly, automation has overhauled the process. According to Ken Brown, product and business development manager, Bobst, color digitalization is revolutionized by oneECG, simplifying the process. Additionally, prepress automation empowers a shift from manual tasks to automation. Operations like artwork preflight, cloud approval cycles, imposition creation, oneECG spot color conversion, and finishing automation are now handled by the system. “Profiling has been transformed through guided procedures, too,” says Brown. “Integrating measurement hardware and software allows for automatic measurements and real-time software feedback regarding errors encountered. This provides suggestions based on measured data, streamlining troubleshooting. Flexo platemaking embraces automation for a more efficient photopolymer production process. This not only reduces material waste and production times, but it also ensures traceability and consistent production repeatability. “Automation extends to prepress stage output prediction. Employing color strategies and print proofs, it allows for accurate output predictions,” adds Brown. Press innovations have been complemented by advancements in inks, plates, anilox rolls, and so much more. “The need for more environmental sustainability has pushed consumables to find ways to achieve this,” states Alex Bullock, business development manager, Omet Americas. “Ink formulations have evolved, offering more consistency, better adhesion and durability, and faster curing. Plates with computer-to-plate technology have improved printing quality. Laser engraving technology has improved the ink transfer of the anilox, and ceramic and chrome coatings have enhanced durability. Overall, consumables are constantly improving.” “The design of the printing units around servo-driven direct drives (gearless) for the cylinders and anilox rollers, as well as having all printing units on one axis, allows for the quick exchange of printing elements, whether they be flexo, screen, foil, embossing, diecutting, or even OEM units,” explains Maurer. “The platform being designed around two stations per module allows for customization of the configuration and expansion for the future, including the possible integration of a digital printing unit. With print manufacturing embracing Lean Manufacturing practices to drive job cost efficiency and reduced waste, the presses incorporate quick change printing cylinders, aluminum cylinders on the Labelmaster, automated cylinder washing, quick change unwinders and rewinders, and automated presetting functions that the operator implements though an easy to use HMI touch panel.” The latest innovations in flexo consumable products addresses the drive for sustainability. For example, LED inks offer low energy consumption and are suitable for food applications when compliance is proven and material compatibility is considered. However, for specific food packaging needs, UV flexo inline printing remains a viable option. “Flexo plates and screening have seen significant improvements in quality and efficiency over the past decade,” says Brown. “Software and hardware advancements have led to a higher quality overall output. Notably, the introduction of a new solventless thermal process for plate production has significantly improved the eco-friendliness of this aspect.” Nilpeter strongly believes that 2023 was a banner year for flexography, and moving forward, the printing process will work together with digital printing – competing in some areas and working harmoniously in others. “We firmly believe that combining flexographic techniques with digital hybrid technology combined with automated technologies is the way forward, promising exciting advancements in the years to come,” remarks Nilpeter’s Jørgensen. “The two technologies do not only compete, they get one and another to constantly seek improvements. Certainly, they also cooperate and complement each other, allowing for the best of both worlds for the right applications.” Even with flexography, there is a digital component to the future. “I do see converters relying upon both technologies,” remarks Bullock. “Digital is great for short runs, and Omet partners with Durst for the hybrid platform. Both flexo and digital complement each other and the companies that offer both technologies have a competitive advantage. Omet flexo technology and automation delivers quality comparable to digital, and it is ideal for the runs that are not so convenient due to run length on digital.” “The concept of inline flexo digitalization has been a long-standing challenge in our industry, dating back to the rise of digital printing a decade ago,” states Brown. “Initially, flexo was seen as an alternative to digital. However, with the introduction of Bobst’s all-in-one concept, the comparison has shifted. Today, both technologies are viewed as complementary elements within a hybrid or all-in-one printing process.” Even with a future that includes both flexo and digital, converters still have a lot to learn about both technologies. Cross-over points can vary from company to company, for example. “I think many converters have a digital/flexo technology mix in-house these days,” acknowledges Miedema. “Both technologies have their pros and cons in which they excel and provide the best return. But most of the time it is more complicated than to simply compare both technologies from a cost per print standpoint – other factors come into play. “Workflow around the press is very important to effectively run the job on the press it is most cost-effective on. When you look, in practice, still a lot of work is run on a digital press that probably should have been run flexo and the other way around, too.”
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